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Understanding Chinese Dragons - Also, Are They Real?

As tribes fought for domination and came to be united under a common banner the dragon was adopted as a national icon. Such was the mysterious creature's power it was regarded as the god of rain, thunder, the rainbow, and the stars.

In a society that was founded upon agriculture and animal husbandry totally reliant upon its natural environment and in particular the climate, the dragon was worshipped as the source of all that was beneficial to communal well being.

This concept has been sustained for thousands of years as more and more deification was bestowed upon the dragon ranging from being a bringer of joy to prophecy and miracles.

With the establishment of a feudal society, emperors compared themselves to the dragon thereby making it the exclusive symbol of imperial majesty.

Anyone who subsequently used the dragon as a symbol either intentionally or erroneously could be regarded as offending their ruler and condemned to death.

The image of the dragon has undergone a series of changes over the centuries becoming more and more mighty and beautiful. The original illustration on primitive bronze ware portrays it as ferocious and mysterious; in the Han Dynasty BC - , it became magnificent and unrestrained; while during the Tang Dynasty - , it was personalized as gentle, tamed and graceful.

From the Song Dynasty onwards - , the design became delicate and flowery. There are several different kinds of dragon according to color, which may be yellow, blue, black, white or red.

Although there are differences in appearance, the basics are similar. This is because it is a combination of the features of animals with which people were familiar.

A dragon has a protruding forehead indicating wisdom and antlers signifying longevity. Its ox's ears denote success in the imperial examination; it has tiger's eyes as a sign of power; eagle's claws showing bravery; while a fish's tail implies flexibility and the horse's teeth are a mark of diligence and so on.

The most vibrant and spectacular way of expressing fondness for the dragon is the dragon dance. The second day of the second lunar month is the Han people's special time - 'Dragon Heads-raising Day'.

People could not tonsure their hair from the start of the lunar New Year until then. The activities for celebration are still for a good rain.

Other big festivals related to the dragon include the Dragon Boat Festival and those of ethnic groups like Zhuang, Yao, Hani, and so on.

It was said that the dragon had nine sons, each of whom was endowed with a unique supernatural power.

Kids have fun doing word problems, scrambles, graphing, a maze- and they learn about Chinese culture. Go now! Very interesting, information of this content allows kids and adults to grow in knowledge that mutually shared, results in a learning experience far outweighing the mindless animation stories constantly bombarding them.

The Chinese New Year has been very interesting to me. Great post! I never knew the dragons helped with a good harvest! He also really loved dragons.

I think it would be really cool symbol for our greenhouse that we are raising money for. Or maybe a dragon sculpture for our garden? I always ask the students what stories they know that have a dragon, what is the dragon doing, and why?

Then we compare it to the Chinese symbol of the dragon. Love reading your further research. This is wonderful! This is great information.

Thanks for providing us with an awesome resource for discovering Chinese New Year. This is so cool! They are believed to be the rulers of moving bodies of water, such as waterfalls, rivers, or seas.

The Dragon God is the dispenser of rain as well as the zoomorphic representation of the yang masculine power of generation.

Because of this association, they are seen as "in charge" of water-related weather phenomena. In premodern times, many Chinese villages especially those close to rivers and seas had temples dedicated to their local "dragon king".

In times of drought or flooding, it was customary for the local gentry and government officials to lead the community in offering sacrifices and conducting other religious rites to appease the dragon, either to ask for rain or a cessation thereof.

The King of Wuyue in the Five Dynasties and Ten Kingdoms period was often known as the " Dragon King " or the "Sea Dragon King" because of his extensive hydro-engineering schemes which "tamed" the sea.

According to Chinese legend, both Chinese primogenitors, the earliest Door and the Yellow Emperor Huangdi , were closely related to 'Long' Chinese dragon.

At the end of his reign, the first legendary ruler, the Yellow Emperor, was said to have been immortalized into a dragon that resembled his emblem, and ascended to Heaven.

The other legendary ruler, the Yan Emperor, was born by his mother's telepathy with a mythical dragon. Since the Chinese consider the Yellow Emperor and the Yan Emperor as their ancestors, they sometimes refer to themselves as " the descendants of the dragon ".

This legend also contributed towards the use of the Chinese dragon as a symbol of imperial power. Dragons usually with five claws on each foot were a symbol for the emperor in many Chinese dynasties.

During the Qing dynasty, the imperial dragon was colored yellow or gold, and during the Ming dynasty it was red.

During the late Qing dynasty, the dragon was even adopted as the national flag. Dragons are featured in carvings on the stairs and walkways of imperial palaces and imperial tombs, such as at the Forbidden City in Beijing.

In some Chinese legends, an emperor might be born with a birthmark in the shape of a dragon. For example, one legend tells the tale of a peasant born with a dragon birthmark who eventually overthrows the existing dynasty and founds a new one; another legend might tell of the prince in hiding from his enemies who is identified by his dragon birthmark.

In contrast, the Empress of China was often identified with the Chinese phoenix. Worship of the Dragon God is celebrated throughout China with sacrifices and processions during the fifth and sixth moons, and especially on the date of his birthday the thirteenth day of the sixth moon.

Dragons or dragon-like depictions have been found extensively in neolithic-period archaeological sites throughout China.

Some of earliest depictions of dragons were found at Xinglongwa culture sites. Yangshao culture sites in Xi'an have produced clay pots with dragon motifs.

A burial site Xishuipo in Puyang which is associated with the Yangshao culture shows a large dragon mosaic made out of clam shells.

The Hongshan culture sites in present-day Inner Mongolia produced jade dragon objects in the form of pig dragons which are the first 3-dimensional representations of Chinese dragons.

One such early form was the pig dragon. It is a coiled, elongated creature with a head resembling a boar. Chinese literature and myths refer to many dragons besides the famous long.

The linguist Michael Carr analyzed over ancient dragon names attested in Chinese classic texts. Fewer Chinese dragon names derive from the prefix long Chinese scholars have classified dragons in diverse systems.

For instance, Emperor Huizong of the Song dynasty canonized five colored dragons as "kings". Further, the same author enumerates nine other kinds of dragons, which are represented as ornaments of different objects or buildings according to their liking prisons, water, the rank smell of newly caught fish or newly killed meat, wind and rain, ornaments, smoke, shutting the mouth used for adorning key-holes , standing on steep places placed on roofs , and fire.

Each coin in the sets depicts one of the 9 sons, including an additional coin for the father dragon, which depicts the nine sons on the reverse.

Early Chinese dragons are depicted with two to five claws. Different countries that adopted the Chinese dragon have different preferences; in Mongolia and Korea, four-clawed dragons are used, while in Japan , three-clawed dragons are common.

The Hongwu Emperor of the Ming dynasty emulated the Yuan dynasty rules on the use of the dragon motif and decreed that the dragon would be his emblem and that it would have five claws.

The four-clawed dragon would be used typically for imperial nobility and certain high-ranking officials. The three-clawed dragon was used by lower ranks and the general public widely seen on various Chinese goods in the Ming dynasty.

The dragon, however, was only for select royalty closely associated with the imperial family, usually in various symbolic colors, while it was a capital offense for anyone—other than the emperor himself—to ever use the completely gold-colored, five-clawed Long dragon motif.

Improper use of claw number or colors was considered treason, punishable by execution of the offender's entire clan.

During the Qing dynasty , the Manchus initially considered three-clawed dragons the most sacred and used that until when it was replaced by five-clawed dragons, and portraits of the Qing emperors were usually depicted with five-clawed dragons.

In works of art that left the imperial collection, either as gifts or through pilfering by court eunuchs a long-standing problem , where practicable, one claw was removed from each set, as in several pieces of carved lacquerware , [38] for example the well known Chinese lacquerware table in the Victoria and Albert Museum in London.

The number nine is special in China as it is seen as number of the heaven, and Chinese dragons are frequently connected with it.

This is also why there are nine forms of the dragon and there are 9 sons of the dragon see Classical depictions above.

The Nine-Dragon Wall is a spirit wall with images of nine different dragons, and is found in imperial Chinese palaces and gardens.

Because nine was considered the number of the emperor, only the most senior officials were allowed to wear nine dragons on their robes—and then only with the robe completely covered with surcoats.

Lower-ranking officials had eight or five dragons on their robes, again covered with surcoats; even the emperor himself wore his dragon robe with one of its nine dragons hidden from view.

The Dragon is one of the 12 animals in the Chinese zodiac which is used to designate years in the Chinese calendar. It is thought that each animal is associated with certain personality traits.

Dragon years are usually the most popular to have children. There are more people born in Dragon years than in any other animal years of the zodiac.

In this context, the Azure Dragon is associated with the East and the element of Wood. At special festivals, especially the Duanwu Festival , dragon boat races are an important part of festivities.

Typically, these are boats paddled by a team of up to 20 paddlers with a drummer and steersman. The boats have a carved dragon as the head and tail of the boat.

Dragon boat racing is also an important part of celebrations outside of China, such as at Chinese New Year. A similar racing is popular in India in the state of Kerala called Vallamkali and there are records on Chinese traders visiting the seashores of Kerala centuries back Ibn Batuta.

On auspicious occasions, including Chinese New Year and the opening of shops and residences, festivities often include dancing with dragon puppets.

These are "life sized" cloth-and-wood puppets manipulated by a team of people, supporting the dragon with poles. They perform choreographed moves to the accompaniment of drums, drama, and music.

They also wore good clothing made of silk. In Chinese symbolism, it is a feminine entity that is paired with the masculine Chinese dragon, as a visual metaphor of a balanced and blissful relationship, symbolic of both a happy marriage and a regent's long reign.

The tiger is considered to be the eternal rival to the dragon, thus various artworks depict a dragon and tiger fighting an epic battle.

A well used Chinese idiom to describe equal rivals often in sports nowadays is " Dragon versus Tiger ". In Chinese martial arts , " Dragon style " is used to describe styles of fighting based more on understanding movement, while " Tiger style " is based on brute strength and memorization of techniques.

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