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Frankreich Klamaukfilm 1. Slapstickkomödie 1. Mysterythriller 9. Auch Great Ipad Games Free Racket von oder Alibi von setzen sich mit dem Gangster-Thema auseinander, doch erst der Tonfilm sollte den Durchbruch bringen. Witzig Anders, als es in den früheren Gangsterfilmen je vorstellbar gewesen wäre, gehen die Protagonisten der Films noirs oft eine enge Bindung mit anziehenden, aber schwer durchschaubaren Femmes fatales ein, die ihnen später zum Verhängnis wird. Irland 2. Bet Gangster Movies Bet Gangster Movies

Even just a list of serious contenders for the best gangster films gives us a lengthy marathon of possibility.

Beyond a great cast, featuring the likes of Joe Shishido and Koki Nanbara, Branded to Kill is one of the most palpably tense gangster movies of all time.

It builds to something truly unique, while simultaneously depicting an underworld riddled with chaos, greed, and the madness of a cruel industry.

Watch if: You want to see one of the most original gangster movies of all time. What makes Get Carter interesting is the fact that at no point does the movie suggest a path of redemption for the title character.

Jack Carter never fails to act in his own self-interest, even when he goes on a sadistic, understandable spree of revenge against those responsible for the death of his brother.

Get Carter also has a lot to say on the subject of revenge. Unlike Bob le flambeur, the remake of Get Carter should be avoided at all costs.

Watch if: You like your gangster movies to have a believable ugliness about them. Simply understand that despite its stature, this is still a thrilling, well-acted particularly by Al Pacino, Marlon Brando, James Caan, and Diane Keaton epic of crime, revenge, and family.

The Godfather is an essential beginning to any education on the larger subject of gangster movies. Watch if: You want a movie that feels like a jarring travelogue at times.

Avoid if: You think sacrifice is overrated. The debate genuinely rages on. Truthfully, both films complement and enhance one another so flawlessly, they may as well be one story.

Indeed, there is an edit that combines everything into a single viewing experience. If you just want a satisfying, emotionally devastating gangster film, The Godfather Part II accommodates you on that front, as well.

Watch if: You want to see a rare example of a truly perfect sequel. Longer, if you brave the murky, slightly underappreciated waters of Part III.

It is ferocious minutes of Bob Hoskins and Helen Mirren leaving nothing and no one in their wake, as they try to survive a day that seems bound and determined to do them in.

The Long Good Friday is one of the most riveting gangster movies ever made. The ending of this film is pure pleasure, as well.

Watch if: You want a movie that starts out exciting, and never really lets up. Avoid if: You prefer your resolutions in films to be from the concrete variety.

This is his story, involving a Cuban immigrant who parlays a Green Card for killing a man into an opportunity to dominate the Miami drug trade.

Pacino not only plays this character with such overwhelming energy, but he projects that energy into every moment of the film.

There are a lot of good things about this film, directed by Brian DePalma from a relatively sane Oliver Stone script.

Michelle Pfeiffer not only creates the other half of the performances that drive this story, but she also acts as a relatable reaction to everything going on around her, particularly where Tony is concerned.

Watch if: You want a pulverizing mix of 80s aesthetics, Pacino in one of his best, and the occasional moment of savage chainsaw violence.

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In turn, his former record label releases his song and reaps the profits of his celebrity. Ivan succumbs to a glorified view of the gangster which ultimately forces his downfall.

The film condemns the gangster lifestyle even more than before. This is also one of the first gangster films to heavily involve the Catholic faith, which would go on to become a major characteristic of Mafia films.

Whereas the former is loud, explosive, and consequential, the latter is quiet, understated, and contextual. Bob Hoskins plays the leader of a British gang that plans to start a partnership with the American Mafia in hopes that he can become a legitimate businessman.

The Long Good Friday is also significant because of its detailed re-creation of Cockney crime. It started a whole sub-movement of art that addressed street life in Los Angeles during this period of rioting and fear.

The film is also a warning to the audience about the effects of gentrification and how institutions proliferate crime to keep people down. What does crime do to a man?

Does it strip him of his morals and humanity or make him more of who he always was? The film served as a return to Hollywood for Orson Welles, albeit a brief one at that.

The original release of the film was partially re-written and re-shot after Welles was dismissed from the project. Despite the arduous production, Touch of Evil emerged as the seminal gangster film about the corruption of the drug trade on the U.

How ironic! By the year , world culture had grown to see gangster films as a mostly sensational, idyllic genre. Gomorrah , which is based on a book of the same name about the real Mafia group from Napoli, has no intent of glamorizing gang life.

Children in the film say they want to be like Tony Montana but the life of crime they find is not the one that they had envisioned from the movies.

At the center of the film is a struggle between Muslim and Corsican French cultures. On one side, he has his ancestry.

On the other, he has the illusion of a future. Similar themes arise but are shown in unique lights. But what about a gangster movie from the perspective of someone documenting it?

City of God is about the rise and fall of criminal under lords throughout the Cidade de Deus favela in Brazil.

It also represents a cast made up primarily of people who lived in that favela. The whole film has a documentary-style feel to it while very much still being a thriller.

The story follows a British nurse who becomes entangled in the Russian Mafia after discovering the notebook of a young girl that connected her pregnancy to a prominent mobster.

Pre-code exists after the silent era but before the advent of censorship guidelines. This was an era of fundamental transition for the American people.

Released the same year as Little Caesar, William A. The main differences between the two comes down to the way The Public Enemy is perhaps a little flashier and stylized, with Cagney arguably being a little more charismatic than Robinson.

Despite these similarities, The Public Enemy is a legendary entry for its own unique reasons. Despite its age, the film is still more action-packed and thrilling than many of the movies being made today.

Watch if: You want to see one of the most exciting bad guys in movie history. Avoid if: You tend to root for the bad guy. You can argue that the movie is a heist film, as it largely centers on a veteran gambler and reformed bank robber Roger Duchesne being forced into a final score.

The film also got a pretty good remake in with Nick Nolte as Bob. Watch if: You like stylistic gangster movies with a good heist as the centerpiece.

Avoid if: You prefer those sorts of movies to be in English. Quite frankly, the greatest Yakuza movies could fill a list all on their own.

Even just a list of serious contenders for the best gangster films gives us a lengthy marathon of possibility. Beyond a great cast, featuring the likes of Joe Shishido and Koki Nanbara, Branded to Kill is one of the most palpably tense gangster movies of all time.

It builds to something truly unique, while simultaneously depicting an underworld riddled with chaos, greed, and the madness of a cruel industry.

Watch if: You want to see one of the most original gangster movies of all time. What makes Get Carter interesting is the fact that at no point does the movie suggest a path of redemption for the title character.

Jack Carter never fails to act in his own self-interest, even when he goes on a sadistic, understandable spree of revenge against those responsible for the death of his brother.

Get Carter also has a lot to say on the subject of revenge. Unlike Bob le flambeur, the remake of Get Carter should be avoided at all costs.

Watch if: You like your gangster movies to have a believable ugliness about them. Simply understand that despite its stature, this is still a thrilling, well-acted particularly by Al Pacino, Marlon Brando, James Caan, and Diane Keaton epic of crime, revenge, and family.

The Godfather is an essential beginning to any education on the larger subject of gangster movies.

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